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Irish-born John Connolly has built a considerable literary reputation for his gritty crime novels and quirky, engaging fiction. The Gates follows young and enterprising Samuel Johnson, who while trick-or-treating stumbles upon a cult of aspiring Satanists operating on 666 Crowley Ave. Thanks to a coincidence involving their ceremony and a malfunctioning Large Hadron Collider, portals to Hell open to reveal devilish creatures poised to enter our world.

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    • Publisher's Weekly

      August 31, 2009
      In this frothy fantasy thriller from bestseller Connolly (The Book of Lost Things
      ), 11-year-old Samuel Johnson witnesses an inadvertent intersection of science and the supernatural while trick-or-treating at the Abernathy household in Biddlecombe, England. Something nasty reaches through an atomically engineered portal to Hades and possesses four suburban sorcerers. From that point on, Samuel finds himself battling hordes of invading demons and desperately trying to convince disbelieving adults that the impending end of the world is not a fancy of his overactive imagination. Connolly plays this potentially spooky scenario strictly for laughs, larding the narrative with droll jokes, humorous asides and the slapstick pratfalls of Nurd, an amusingly incompetent subdemon whom Samuel ultimately befriends. Though billed as “an adult book for children,” this light fantasy will strike even adult readers as divertingly whimsical.

    • Publisher's Weekly

      November 30, 2009
      With nothing on the package cover to indicate otherwise, Connolly fans might expect a gritty horror thriller; what they'll find instead is a comic yarn about a British boy, Samuel Johnson, and his dog, Boswell, who are attempting to stop the opening of the gates of hell. The footnote-laden opening unfolds in a jaunty, conversational style reminiscent of The Hitchhiker's Guide to the Galaxy
      , only not as amusing. Once the footnotes fade, the plot grows more compelling, allowing Jonathan Cake to show off his vocal versatility by portraying dotty scientists, snarling denizens of the dark domain, an undead and unpleasant bishop, a surprisingly likable subdemon named Nurd, and the dark lord himself, herein called the Great Malevolence. The author includes numerous satiric swipes at science, religion, British lifestyle, and horror fiction. But much of the material is arch and condescending, and the reading is tediously tongue-in-cheek. An Atria hardcover (Reviews, Aug. 31).

    • AudioFile Magazine
      Wickedly funny in the way of Douglas Adams (THE HITCHHIKER'S GUIDE TO THE GALAXY), Connolly tells the story of a British schoolboy who happens to see strange goings-on through the basement window of a neighbor's house. It turns out that the Hadron Collider in Cern, Switzerland, had a bit accidentally "whiz off" three days before Halloween, and now, well, all hell is literally breaking loose. Jonathan Cake's many voices are reminiscent, too--of the versatile Jim Dale. Cake draws each character with precision, spotlighting that dry Brit humor that works so well in the right hands. And Cake is adept at bringing the whole cast to vivid life--from lovable Sam and his canine sidekick, Boswell, to the horrible Mrs. Abernathy, who no longer looks or smells quite human. Even the cops and clergymen, trapped by rampaging monsters, are cleverly drawn. Cake does adults, kids, and demons with an equally droll tone. M.M.C. Winner of AudioFile Earphones Award (c) AudioFile 2009, Portland, Maine

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  • English

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