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I Wrote This Book Because I Love You

Essays

Audiobook
1 of 1 copy available
1 of 1 copy available
*A People Top 10 Book of 2018*

The New York Times essayist and author of We Learn Nothing, Tim Kreider trains his singular power of observation on his (often befuddling) relationships with women.

Psychologists have told him he's a psychologist. Philosophers have told him he's a philosopher. Religious groups have invited him to speak. He had a cult following as a cartoonist. But, above all else, Tim Kreider is an essayist—one whose deft prose, uncanny observations, dark humor, and emotional vulnerability have earned him deserved comparisons to David Sedaris, Sarah Vowell, and the late David Foster Wallace (who was himself a fan of Kreider's humor).

"Beautifully written, with just enough humor to balance his spikiness" (Booklist), I Wrote This Book Because I Love You focuses Tim's unique perception and wit on his relationships with women—romantic, platonic, and the murky in-between. He talks about his difficulty finding lasting love and seeks to understand his commitment issues by tracking down the John Hopkins psychologist who tested him for a groundbreaking study on attachment when he was a toddler. He talks about his valued female friendships, one of which landed him on a circus train bound for Mexico. He talks about his time teaching young women at an upstate New York college, and the profound lessons they wound up teaching him. And in a hugely popular essay that originally appeared in The New York Times, he talks about his nineteen-year-old cat, wondering if it's the most enduring relationship he'll ever have.

"In a style reminiscent of Orwell, E.B. White and David Sedaris" (The New York Times Book Review), each of these pieces is "heartbreaking, brutal, and hilarious" (Judd Apatow), and collectively they cement Kreider's place among the best essayists working today.
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    • Publisher's Weekly

      January 8, 2018
      Essayist and cartoonist Kreider (We Learn Nothing) returns with another incisive and cutting collection of essays, this time loosely focused on the women in his life. Over the course of the book, he recounts a trip with a close friend aboard a circus train bound for Mexico, a whirlwind affair with a sex worker, and the surreal experience of falling in love with a married friend in the weeks following the 9/11 terrorist attacks. This collection is noteworthy not so much for the insights into dating or women, but rather for Kreider’s humane outlook coupled with his often-wry sense of humor: he has rules about which living things he can kill (fruit flies, yes; spiders, no) and makes the dry admission of being a “cat guy.” Kreider’s clever hand and philosophic—rather than solipsistic—viewpoint place him in a different realm than writers like David Sedaris and David Foster Wallace who share his affection for details, uncommon settings, and nuance.

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  • English

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