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1 of 1 copy available
1 of 1 copy available
With her widely acclaimed fantasy trilogy, Dragon Prince, Melanie Rawn opened an enchanted gateway to a spellbinding universe of Sunrunner's magic and sorcerous evil, telling the tale of one man's crusade to bring peace to a land divided into often warring kingdoms.

In the first two novels of the bestselling Dragon Star trilogy, the peaceful reign of High Prince Rohan was shattered by a mysterious invasion force which began a devastating campaign against the people of the Desert and the Sunrunners. And now, Skybowl brings this magnificent epic work of fantasy to its dramatic close.

With High Prince Pol's wife Meiglan held prisoner by the Warlord of the enemy, and Skybowl Keep purposefully abandoned to this deadly foe, Pol's mother Sioned leads a daring mission into the castle, using all her years of experience as High Princess in a cunning attempt to strike at the heart of the invasion force. And even as Sioned carries out this perilous plan, Pol and his cousin Andry, Lord of the Sunrunners of Goddess Keep, are forced into an uneasy alliance. For only if they can overcome their longtime rivalry and suspicions of one another and draw upon their combined powers of Sunrunning and Sorcery, do they stand any chance of defeating the invaders who have sworn to destroy the people of the Desert—down to the last newborn child . . .
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    • Publisher's Weekly

      February 1, 1993
      This surprisingly toothless final volume of the Dragon Star fantasy trilogy (after The Dragon Token ) reads more like a melodramatic Russian play than like an epic adventure tale. Pol, sorcerer and High Prince of the Desert, must come to terms with his fanatical cousin Andry, High Lord of Goddess Keep, so the two can pool their magic and influence to defeat a barbarian horde that threatens their people. While Pol and Andry strike an uneasy truce in Pol's castle, surrounded by the intrigues and agonizing of their friends and relations, far away the High Warlord of the barbarians holds Pol's wife and child hostage. The major characters languish passively in their lush surroundings while the reader learns of desperate battles for survival through occasional off-stage reports, a device that makes the entire conflict seem unreal. Rawn writes fluidly and creates reasonably complete characters, but there's not enough action to justify the book's excessive length. The tragic climax, when it comes at last, is lost amid the general angst suffered continuously by all.

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  • English

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