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1 of 1 copy available
1 of 1 copy available
From cyber-spy to cyber-warriors—they're the new defenders of world peace. First in the technothriller series from the New York Times–bestselling author.
In Stephen Coonts'Deep Black, cowritten with Jim DeFelice, a spy plane gathering data on a new Russian weapon is blown out of the sky by a mysterious MiG. Is it an accident or the start of the next world war? One U.S. agency has what it takes to find out—the National Security Agency and its covert operations team: Deep Black.
Working for the NSA, ex-Marine sniper Charlie Dean is dispatched to Russia, hooking up with former Delta Force trooper Lia DeFrancesca to find out what happened to the plane. The Deep Black team stumbles across an even more alarming secret—a plot to assassinate the Russian president and overthrow the democratic government by force. The coup could have dire consequences for Russia and the world. With no clearance from the government it's called on to protect, the National Security Agency goes to war. But before Lia and Dean can unravel the conspiracy, they learn that one of the spy plane's passengers—an NSA techie—survived the crash. Critical information could fall into enemy hands. And that enemy is playing to the death.
Praise for Stephen Coonts
"Coonts knows how to write and build suspense . . . this is the mark of a natural storyteller." —The New York Times Book Review
"[Coonts] is a natural storyteller [with] a rare gift." —USA Today
"The master of the techno thriller." —Publishers Weekly
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    • Publisher's Weekly

      November 29, 2010
      Coonts and Keith employ a laundry list of familiar elements in their ho-hum third Deep Black thriller (after Deep Black: Sea of Terror): suitcase nukes, an evil Arab jihadist who calls himself "the Jackal," a female agent who's captured and must withstand heinous torture. Series hero Charlie Dean, one of the National Security Agency's Deep Black senior field operators, and his partner, Ilya Akulinin, have come to Tajikistan to chase down the nukes. Charlie and Ilya are in constant communication with the Deep Black ops center at Fort Meade, Md., via a transceiver imbedded in bone behind their ears. This back-and-forth play-by-play lends interest, but it also means if the agents stumble into trouble, they have resources that allow them to get out of danger far too easily. Suspense, such as it is, is heightened primarily by a character going out of transmission range.

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