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Zoom Rooms

Poems

Audiobook
1 of 1 copy available
1 of 1 copy available
The timeless and timely intersect in poems about our unique historical moment, from the prizewinning poet.
In Zoom Rooms, Mary Jo Salter considers the strangeness of our recent existence, together with the enduring constants in our lives.
 
The title poem, a series of sonnet-sized Zoom meetings—a classroom, a memorial service, an encounter with a new baby in the family—finds humor and pathos in our age of social distancing and technology-induced proximity. Salter shows too how imagination collapses time and space: in “Island Diaries,” the pragmatist Robinson Crusoe meets on the beach a shipwrecked dreamer from an earlier century, Shakespeare’s Prospero. Poems that meditate on objects—a silk blouse, a hot water bottle—address the human need to heal and console. Our paradoxically solitary but communal experiences find expression, too, in poems about art, from a Walker Evans photograph to a gilded Giotto altarpiece.
 
In these beautiful new poems, Salter directs us to moments we may otherwise miss, reminding us that alertness is itself a form of gratitude.
 
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    • AudioFile Magazine
      The title poem in this collection is a series of sonnets on one aspect of life during the pandemic. It's a good example of how Mary Jo Salter's work is grounded in the reality of our lives. Another poem, narrated by John Lee and Nicholas Guy Smith, puts Robinson Crusoe and Prospero, from Shakespeare's TEMPEST, on the same uncharted island, a marvelous act of imagination. The rest of the audiobook is wonderfully evoked by narrator Hillary Huber, although she has a tendency to run over the line breaks, sometimes obscuring Salter's subtle rhymes and interesting use of received forms. Still, Huber's delivery is generally well done and serves the poems well. D.M.H. © AudioFile 2022, Portland, Maine
    • Publisher's Weekly

      Starred review from February 21, 2022
      The timely and delightful ninth collection from Salter (The Surveyors) addresses the bewildering present moment while reminding of past (and future) pleasures. Salter conjures a rich cast of characters and literary allusions, her fine ear on display at every turn. In one poem, she describes Chopin, “The handsomer for your pallor, still you thrill/ To the flood of sun into your sickroom.” Her interest in the ekphrastic form is apparent, as in the poignant “St. Sebastian Interceding for the Plague-Stricken,” which presents haunting echoes of the present day. However, this interest transcends mere artistic translation from one medium to another, and her poems consistently explore what can only be intimated or suggested: “No, what Giotto’s got to do/ is make God in man’s image and/ render His resplendence as// intolerable,” she writes in “Triangle.” Elsewhere, poems focus on moments that, in the context of the pandemic present, take on a new depth and vision. The title poem, “Zoom Rooms,” captures the alienation, strangeness, and unprecedented circumstances of negotiating this pain: “Shocking you died (of ‘something else’), and even/ stranger you’re more present in our grief:/ more three-dimensional than we are now.” Salter’s direct and unfailingly imaginative works make this collection a thorough pleasure.

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  • English

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