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Die Hot with a Vengeance

Essays on Vanity

ebook
2 of 2 copies available
2 of 2 copies available

"With humor and candor, Die Hot With a Vengeance shows why beauty should be a tool of self-expression, not self-hate." - TIME

*ONE OF BUSTLE'S MOST ANTICIPATED SUMMER READS*

Journalist and former Allure editor Sable Yong debuts with a sharp-toothed and hilarious essay collection about beauty and vanity, examining their stigmatization in the cultural zeitgeist, and how to shift the focus to use both for powerful tools for self-exploration, interpersonal connection, and cultural change.

The beauty industry has a single mandate: be hot.

In the same week that you might be encouraged to try curtain bangs, contouring, bleached eyebrows, laser facials, buccal fat removal, fillers, and "non-invasive" facelifts, you're simultaneously absorbing mantras about self-care, body positivity, empowerment, and loving yourself just as you are.

Overwhelmed yet?

Fear not. Die Hot with a Vengeance delves into the machinations of this multi-billion-dollar industry, offering readers an expert analysis of its inner workings with the precision of a scalpel and the humor of a stand-up comedian. Along the way, Yong sets off to answer some of the biggest questions of our time:

  • How do you break through the noise of beauty and wellness culture's endless optimization protocols?
  • How can you find actual authenticity in a world of performative artifice?
  • Can the antidote to aging be found in a jar, tube, or at the end of a syringe?
  • Do blondes really have more fun?
  • Using Yong's many years of experience as a beauty editor to unlock the industry's myriad secrets, Die Hot with a Vengeance gives beauty and vanity a neutralizing make-over. At its best, beauty is so much more than an aesthetic; it's an inspirational mindset. It's a playfulness inherent to the practice of self-expression.

    And yet it's difficult to engage playfully when it feels like beauty is an ever-moving target. We're all subject to societal expectations surrounding beauty and vanity, enough so that breaking through the capitalist pressures can feel impossible. Yong argues that while the mandate may be for us to be hot, the beauty industry thrives on us absorbing its teachings so it can keep us in a constant feedback loop of appearance-based anxiety, forever perpetuating unattainable standards. Flipping that imperative, Yong's debut collection poses the most important question of all: How do you discover your value of beauty so you can free yourself from the loud and bullshitty noise of all these entities telling you that you're not good enough?

    Digging deep into our most pervasive and questionable beauty trends and conventions, Die Hot with a Vengeance offers an incisive yet wry dissection of one of our most enduring cultural addictions. Irreverent, side-splittingly funny, and astute, the book is as amusing as it is insightful, an instant classic for beauty-readers and aspirant hotties alike.

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      • Kirkus

        April 15, 2024
        A vibrant essay collection about beauty, identity, and cultural acceptance. Is beauty only skin deep, or is it in the eye of the beholder? A social construct, or part of human nature? All of the above, writes Yong in this enjoyable book. The author examines the subject of beauty from a range of perspectives, including as a former senior editor of Allure, a bible of the fashion industry. She also looks back on her personal history as an Asian kid in a mostly white school. Yong has a clever, self-deprecating sense of humor, and she recounts her career as a procession of stumbles, steps forward and back, and lucky breaks. The author is conflicted about beauty: On one hand, she loves its aesthetic qualities, while on the other, she hates the way it promotes surface over depth. Even after leaving Allure, she continued to explore the nature of beauty, emphasizing how social media has radically increased the tempo of fashion cycles. Keeping up with the trends is an exhausting process, and many women (and men) become lost in the labyrinth of influencers, brands, and celebrity endorsements. Yong has a good time puncturing some of the wilder bubbles of the fashion business, and several of her essays are comically droll. Though she doesn't reach any definitive conclusions about the concept of beauty, she makes clear that the fashion industry is a business first and foremost, and its goal is to make profits. Consequently, women should bear its manipulative nature in mind, and perhaps get away from it every now and then. Ultimately, writes the author, "there is no inherent shame in taking pride in your appearance or wanting to look good, just as there's no shame in coming just as you are." Yong's take on beauty and fashion is revealing, playful, and heartfelt.

        COPYRIGHT(2024) Kirkus Reviews, ALL RIGHTS RESERVED.

      • Publisher's Weekly

        May 27, 2024
        In this confused debut collection, Yong, a former beauty editor at Allure magazine, sends mixed messages about the societal premium placed on good looks. A sharp critic of beauty culture, Yong laments in “No Fun in the Fun House” how Dove’s ostensibly progressive ads suggesting “you’re beautiful as you are” reinforce the notion that one’s appearance is “the central defining characteristic of our identity.” However, Yong espouses that same outlook later in the essay, writing that “beauty is... how I play with identity, how I visually communicate who I am.” This contradiction is indicative of Yong’s unsuccessful efforts to redeem the social obsession with beauty while recognizing its harms. In “No Gore, No Gorgeous,” she recounts the painful procedures she’s undertaken to change her looks (including a wince-inducing description of a botched bikini wax), but appears to regard the discomfort they caused as the price one pays for glamour. Attempting to reconcile such incongruities, Yong asserts that “a pleasant experience with beauty is possible when you engage with it on your own terms,” but this pat explanation fails to acknowledge the ways in which notions of what constitutes beauty are reliant on social and aesthetic values that individuals have little power to change. Candid but conflicted, this will leave readers scratching their heads. Agent: Kate Childs, CAA.

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    • English

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