In his latest Charlie Parker thriller, New York Times best-selling author John Connolly takes us to the border between Maine and Canada. It is there, in the vast and porous Great North Woods, that a dangerous smuggling operation is taking place, run by a group of disenchanted former soldiers, newly returned from Iraq. Illicit goods—drugs, cash, weapons, even people—are changing hands. And something else has changed hands. Something ancient and powerful and evil. The authorities suspect something is amiss, but what they can't know is that it is infinitely stranger and more terrifying than anyone can imagine. As the smugglers begin to die one after another in apparent suicides, Parker is called in to stop the bloodletting. The soldiers' actions have attracted the attention of the reclusive Herod, a man with a taste for the strange. And where Herod goes, so too does the shadowy figure he calls the Captain. To defeat them, Parker must form an uneasy alliance with a man he fears more than any other, the killer known as the Collector.
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Creators
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Series
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Publisher
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Release date
November 20, 2014 -
Formats
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OverDrive Listen audiobook
- ISBN: 9781456114954
- File size: 363131 KB
- Duration: 12:36:31
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Languages
- English
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Reviews
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Publisher's Weekly
Starred review from May 31, 2010
Ancient artifacts and the second Iraqi War provide the backdrop for Connolly's outstanding ninth novel featuring PI Charlie Parker (after The Lovers). When the former NYPD homicide detective looks into the suicide of an Iraq war veteran, he discovers that several members of the soldier's unit have also killed themselves and that they may have been involved in smuggling looted treasures into the U.S. Parker begins to fear that the returning soldiers have brought back more than their own personal demons. As he races to find an antique golden box before it falls into the wrong hands, Parker discovers that he's being shadowed by the enigmatic Collector, a repulsive killer whose nature is as problematic as that of Parker himself. Connolly displays a real knack for fusing the detective and horror genres, providing a rational chain of evidence and deduction for the plot while simultaneously creating a real atmosphere of numinous dread that reminds us that mystery can refer to more than a mundane tale of crime and human justice. -
Publisher's Weekly
September 27, 2010
Holter Graham's breathless, bordering on melodramatic delivery is an appropriate fit for private detective Charlie Parker's latest battle with otherworldly evil. The labyrinthine plot has the sleuth confronting his old foe, the Collector, while investigating the suicides of Iraq War veterans who were also guilty of smuggling valuable artifacts out of the country. Graham is particularly effective in maintaining a rat-a-tat pacing for the novel that sounds like a mashup of Raymond Chandler and Dean Koontz. He provides Charlie with a hard-boiled but sensitive sensibility, but is equally on target with the properly disquieting raspy voice of the Collector and the serpentlike sibilance of a sinister killer named Herrod. He also has an effective interpretation for the title creatures' mutterings. Connolly sacrifices some of the novel's tension with a protracted discussion of the PTSD suffered by soldiers during the Iraq War; Graham handles those sections briskly, while maintaining their informational value. An Atria hardcover (Reviews, May 31). -
AudioFile Magazine
In the ninth Charlie Parker novel, the private investigator is hired by the father of a recently returned Iraqi war veteran who commits suicide. Parker soon discovers that other members of Damian Pachett's unit have also killed themselves. Were these soldiers smuggling stolen artifacts out of Iraq for profit? The story continues a trend that current writers are now focusing on--the effects of post-traumatic stress disorder. Connolly intermingles the supernatural and the search for a golden artifact, and the complex plot is a pleasure to follow. Holter Graham's narration is clear, solid, and fast paced. He's excellent at the foreign accents involved, and he makes the mysterious scary when needed. He's at his best in the last third of this offering and sometimes sounds as surprised at those events as the listener is. A.L.H. (c) AudioFile 2010, Portland, Maine
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