Jackson, 1964
And Other Dispatches from Fifty Years of Reporting on Race in America
In the early sixties, Calvin Trillin got his start as a journalist covering the Civil Rights Movement in the South. Over the next five decades of reporting, he often returned to scenes of racial tension. Now, for the first time, the best of Trillin’s pieces on race in America have been collected in one volume.
In the title essay of Jackson, 1964, we experience Trillin’s riveting coverage of the pathbreaking voter registration drive known as the Mississippi Summer Project—coverage that includes an unforgettable airplane conversation between Martin Luther King, Jr., and a young white man sitting across the aisle. (“I’d like to be loved by everyone,” King tells him, “but we can’t always wait for love.”)
In the years that follow, Trillin rides along with the National Guard units assigned to patrol black neighborhoods in Wilmington, Delaware; reports on the case of a black homeowner accused of manslaughter in the death of a white teenager in an overwhelmingly white Long Island suburb; and chronicles the remarkable fortunes of the Zulu Social Aid & Pleasure Club, a black carnival krewe in New Orleans whose members parade on Mardi Gras in blackface.
He takes on issues that are as relevant today as they were when he wrote about them. Excessive sentencing is examined in a 1970 piece about a black militant in Houston serving thirty years in prison for giving away one marijuana cigarette. The role of race in the use of deadly force by police is highlighted in a 1975 article about an African American shot by a white policeman in Seattle.
Uniting all these pieces are Trillin’s unflinching eye and graceful prose. Jackson, 1964 is an indispensable account of a half-century of race and racism in America, through the lens of a master journalist and writer who was there to bear witness.
Praise for Jackson, 1964
“Trillin’s elegant storytelling and keen observations sometimes churned my wrath about the glacial pace of progress. That’s because to me and millions of African-Americans, the topics of race and poverty—and their adverse impact on the mind and spirit—are, as Trillin acknowledges, not theoretical; they’re personal.”—Dorothy Butler Gilliam, The New York Times Book Review (Editor’s Choice)
“These pieces . . . will continue to be read for the pleasure they deliver as well as for the pain they describe.”—The New York Times
“With the diligent clarity, humane wit, polished prose and attention to pertinent detail that exemplify Trillin’s journalism at its best . . . Jackson, 1964 drives home a sobering realization: Even with signs of progress, racism in America is news that stays news.”—USA Today
“These unsettling tales, elegantly written and wonderfully reported, are like black-and-white snapshots from the national photo album. They depict a society in flux but also stubbornly unmoved through the decades when it comes to many aspects of race relations. . . . The grace Trillin brings to his job makes his stories all the more poignant.”—The Christian Science Monitor
“An exceptional collection [from] master essayist Trillin.”—Booklist (starred review)
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Creators
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Publisher
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Release date
June 28, 2016 -
Formats
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Kindle Book
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OverDrive Read
- ISBN: 9780399588259
- File size: 720 KB
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EPUB ebook
- ISBN: 9780399588259
- File size: 720 KB
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Languages
- English
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Reviews
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Publisher's Weekly
Starred review from April 4, 2016
Trillin (Quite Enough of Calvin Trillin), a regular contributor to the New Yorker since 1963, collects his insights and musings on race in America in previously published essays from over 50 years of reporting. They cover events from the 1964 voter registration drives in Jackson, Miss., to a 2006 deadly shooting on Long Island, N.Y., “the single most segregated suburban area in the United States.” Providing abundant context and telling details, Trillin covers the Mardi Gras Zulu parade in New Orleans, the resistance to school integration in Denver, race relations in the Mormon Church in Utah, a stop-and-frisk with tragic results in Seattle, and the confrontation between Italians and African-Americans over the construction of an apartment building called Kawaida Towers in Newark, N.J. Most of these episodes take place in the 1960s and ’70s, so Trillin provides updates at the end of each essay to show how the issues have evolved and what progress, if any, has been made. He also delves into the definitions of black and white in modern-day Louisiana and the qualities of a southern “moderate” in the 1970s, and invites a black civil rights activist to tell the story of her hardscrabble life in Dorchester County, S.C., in her own words. As Trillin notes in his introduction, today’s African-American students are more isolated than they were 40 years ago, education policy makers have abandoned integration as a cause, and a number of states have recently passed laws meant to suppress non-white votes. What’s shocking is how topical and relatively undated many of these essays seem today. Agent: Eric Simonoff, William Morris Endeavor. -
Kirkus
May 1, 2016
A veteran reporter collects some significant pieces about race that originally appeared in the New Yorker, his publishing home since 1963.The author of some 30 titles, Trillin (Dogfight: The 2012 Presidential Campaign in Verse, 2012, etc.) revisits the last half-century's racial struggles in various regions of the country, and readers are likely to come away thinking, "so much has not really changed all that much." The first essay, the titular piece, deals with the struggle for voting rights in Mississippi, and older readers will find themselves swept back into sanguinary events that will seem both historical and immediate. "No sophisticated study of public opinion is needed," writes the author, "to establish the fact that in the United States, North and South, a white life is considered to be of more value than a Negro life." Later on is a 2008 piece about the racial foundations of a 2006 shooting on Long Island. (Progress, we see, has been incremental and even barely visible in some cases.) Trillin investigates the racial aspects of Mardi Gras parades, racial turmoil at a Wisconsin university, the vast racial differences in criminal sentencing in Texas, housing disputes, racially discriminatory admissions to a Boston disco, a woman's struggle to change the racial labeling on her birth certificate, and much, much more. Throughout, the author's tone remains calm, analytical, and reasonable--though he invariably finds a detail or two, or comments by principals, that ascend to the level of symbol. He quotes, for example, a Texas district attorney about a case involving a man who sold a single marijuana cigarette and was sentenced to 30 years: "I don't see that this is a very unusual verdict." Trillin ends each piece with a brief update about the situation and the players involved. Haunting pieces that show how our window on the past is often a mirror.COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.
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Booklist
Starred review from May 15, 2016
Best-selling master essayist Trillin (Quite Enough of Calvin Trillin, 2011) has created an exceptional collection of the articles he has written as a staff writer on race and racism for the New Yorker between 1964 and 2008. These aren't flashy stories; in fact, they bring to mind the localism of a community newspaper. Yet in them Trillin addresses the sensitive, complex issues he raises from a national perspective. He brings us into numerous uncomfortable situations, exposing through perceptive observations and nuanced humor the insidious nature of discriminatory practices. From the title story and its revelations about the Mississippi voter registration and education drives of the early 1960s to the treatment of black student protesters in Wisconsin, Louisiana's black-blood laws, and the danger of accepting moderation when it comes to fighting racism, these inquiries expose the headwinds African Americans have faced in gaining equal footing under the law. Each piece is followed by a brief and telling update. Trillin's exceptional storytelling skills and deep sense of connection help us see each of the people he portrays as dignified individuals in profoundly trying situations.HIGH-DEMANDBACKSTORY: Popular Trillin is always a draw, and the subject of this caring compilation will double this volume's appeal.(Reprinted with permission of Booklist, copyright 2016, American Library Association.) -
Library Journal
May 1, 2016
Many fans of journalist Trillin might not associate him with the civil rights movement, but this work is here to remind us that the complications of race in America have always been a vehicle for his sharp writing and criticism. In his introduction, the author explains his ambivalence about being labeled a hero of the Freedom Rides when he was covering them for Time in the 1960s. These New Yorker essays span the gamut from a long piece on a fizzled boycott of the Zulu Mardi Gras parade to a recent racially charged murder trial on Long Island. The most striking is a simple transcript of black voting rights activist Victoria DeLee's life story in a dated Southern dialect. While each of these essays are interesting in their own right, many meander with trivial details, and Trillin does not make much of a case for their cohesiveness or why the compilation is really necessary. VERDICT This book is supposedly a contribution to the current "volcanic national conversation about race and racism," but it makes one wonder whether or not more relevant analysis can be offered on this crucially important topic than rehashed essays from a prolific white writer.--Kate Stewart, American Folklife Ctr., Washington, DC
Copyright 2016 Library Journal, LLC Used with permission.
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Library Journal
January 1, 2016
In 1963, The New Yorker published Trillin's "An Education in Georgia," an account of the desegregation of the University of Georgia. Trillin has since spent a half-century covering race and racism in this country, as evidenced by these never-before collected New Yorker essays.
Copyright 2016 Library Journal, LLC Used with permission.
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