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Why Bob Dylan Matters

Audiobook
1 of 1 copy available
1 of 1 copy available

When the Nobel Prize for Literature was awarded to Bob Dylan in 2016, a debate raged. Some celebrated, while many others questioned the choice. How could the world's most prestigious book prize be awarded to a famously cantankerous singer-songwriter who wouldn't even deign to attend the medal ceremony?

In Why Bob Dylan Matters, Harvard Professor Richard F. Thomas answers this question with magisterial erudition. A world expert on Classical poetry, Thomas was initially ridiculed by his colleagues for teaching a course on Bob Dylan alongside his traditional seminars on Homer, Virgil, and Ovid. Dylan's Nobel Prize brought him vindication, and he immediately found himself thrust into the spotlight as a leading academic voice in all matters Dylanological. Today, through his wildly popular Dylan seminar—affectionately dubbed ""Dylan 101""—Thomas is introducing a new generation of fans and scholars to the revered bard's work.

This witty, personal volume is a distillation of Thomas's famous course, and makes a compelling case for moving Dylan out of the Rock & Roll Hall of Fame and into the pantheon of Classical poets. Asking us to reflect on the question, ""What makes a classic?"", Thomas offers an eloquent argument for Dylan's modern relevance, while interpreting and decoding Dylan's lyrics for listeners. The most original and compelling volume on Dylan in decades, Why Bob Dylan Matters will illuminate Dylan's work for the Dylan neophyte and the seasoned fanatic alike. You'll never think about Bob Dylan in the same way again.

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    • AudioFile Magazine
      Harvard professor Robert F. Thomas has written a lengthy academic treatise on Bob Dylan's songs, which Nick Landrum delivers. Thomas seems to love his own record collection, concert attendance, general observations, and opinions nearly as much as he does Dylan the recording artist, performer, and man. Landrum keeps the author's self-aggrandizement to a minimum by moderating his tone. His excellent narration suffers only from unconvincing direct quotes by Dylan. The work itself begins and ends a description of the recent Nobel Prize ceremony awarding Dylan the prize for literature. Overall, this audiobook is a bit too deeply analytical as it examines Dylan's work song by song, which gets to be pompous and tedious even for fans. W.A.G. © AudioFile 2018, Portland, Maine
    • Booklist

      Starred review from November 15, 2017
      After all these years and all the songs, do we really need to ask if Nobel laureate Bob Dylan matters? Harvard classics professor Thomas, who teaches a popular freshman seminar on Dylan, believes that we do. He places Dylan beside such classic poets as Homer, Virgil, Sappho, Catullus, Horace, Hesiod, and Ovid. Like them, Dylan, Thomas writes, is incapable of being contained by time or place and explores what it means to be human. Thomas discusses themes that run throughout Dylan's songbook, including social justice, war, love, death, faith, and religion. One of the more thrilling aspects of Thomas' study is his tackling of plagiarism, which Dylan's critics have repeatedly accused him of. He argues persuasively that Dylan is practicing intertextuality, in which artists produce new meaning through the creative reuse of existing texts, images, or sound. Dylan's borrowings are firmly rooted in the folk, blues, and poetry traditions. As T. S. Eliot wrote, mature poets steal. Dylan stole only from the best and in doing so has created powerful and timeless work. Also of great value is Thomas' revealing analysis, a masterstroke of literary detective work, of Dylan's 16-minute-plus opus, Highlands. In sum, this is an exciting examination of an artist's enigmatic mind.(Reprinted with permission of Booklist, copyright 2017, American Library Association.)

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  • English

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