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1 of 1 copy available
1 of 1 copy available
The stronghold of white-collar crime in the rarefied world of high finance–this is the setting for Peter Spiegelman's edgy, suspenseful, sharply-honed debut novel.
At the center: John March, who walked away from his family's venerable merchant bank for the life of a rural deputy sheriff–a life that would explode in personal tragedy and professional disaster. Three years later, he's back in Manhattan, working as a PI and running from his grief and the expectations of his wealthy family.
March takes the case of Rick Pierro, a self-made man who has everything–and who's in danger of losing it all. An anonymous, poisonous threat has implicated him in a vast money-laundering scheme already under investigation by the feds.
March's own investigation uncovers a blood-stained paper trail that leads him deep into the lives of both insiders and outcasts on the street. He discovers that his client may be the latest victim of a serial extortionist diabolically adept at psychological and physical intimidation, but the more March learns the more questions he has about Pierro, his wife, and the secrets hidden beneath the glossy surfaces of their lives. And the more he begins to fear that his own blood will be added to the trail before the case is closed.
With its headlong narrative, quick, incisive language, and brilliantly clarified details of finance–the legal and the illegal–Black Maps is a stunning first novel.
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    • AudioFile Magazine
      Except for his rich, meddling family and his tendency to inconsolability, John March is a tough private eye in the Raymond Chandler tradition. His current client wants him to eliminate the pressure from an unknown blackmailer who threatens to implicate him in a massive money-laundering scandal. The assignment embroils March in the affairs of some not so innocent victims, endangering him and his girlfriend. Affecting a Marlowesque world-weariness, narrator Scott Brick seems indifferent to the cliché-ridden novel, jumping to life only during the climactic confrontation. Y.R. (c) AudioFile 2004, Portland, Maine
    • Publisher's Weekly

      Starred review from July 28, 2003
      After a lengthy, but never boring, setup, Spiegelman's first novel pitches from one taut, suspenseful scene to another, with New York PI John March at the center but also including an impressive cast of allies, adversaries and interlopers. The author lays out the collapse of financial giant MWB (Merchant's Worldwide Bank) and the subsequent federal investigations in detail. March's friend, lawyer Michael Metz, hires him to help a client, an officer at a major investment bank. It appears that fallout from MWB's collapse has prompted a blackmailer to use information seemingly derived from MWB documents to threaten Metz's client with exposure that would ruin his career. Real or manufactured, this data would be damaging. March must be careful, of course, not to step on federal toes. From computers to shoe leather, March's dogged search is entertaining, plausible and ultimately dangerous. Nothing about this stylish, literate mystery reads like a debut, as Spiegelman handles the complex plot with verve and artfully sets the stage for a backstory with mere hints about the trauma that drove March from upstate cop to PI. John March is one of the most intriguing new PIs to come along in quite some time, and if this strong first outing is any indication, he should be in for a long and enjoyable run. (Aug. 17)Forecast:With a 75,000-copy first printing and its fascinating picture of the financial world, this first mystery is a likely candidate for extra printings. BOMC selection.

    • AudioFile Magazine
      John March's tragic past keeps catching up with him when he is asked to investigate a possible money launder-ing/blackmail scheme involving high- flying financiers and some very nasty characters. A country cop turned city P.I., he has a knack for irritating suspects and fellow lawmen alike. Only the fact that he is telling you the story assures you that he survives. You hear March's toughness, intelligence, and pain in the voice Baker gives him; other voices help you keep track of the complicated plot. The pace quickens for the violent parts, then ebbs for what few tender moments there are. Listen carefully and enjoy. J.B.G. (c) AudioFile 2004, Portland, Maine

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