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Foreskin's Lament

Audiobook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks
FROM THE CREATOR OF SHOWTIME'S "HAPPYISH"
New York Times Notable Book, and a “chaotic, laugh riot” (San Francisco Chronicle) of a memoir.

Shalom Auslander was raised with a terrified respect for God. Even as he grew up and was estranged from his community, his religion and its traditions, he could not find the path to a life where he didn’t struggle daily with the fear of God’s formidable wrath. Foreskin’s Lament reveals Auslander’s “painfully, cripplingly, incurably, miserably religious” youth in a strict, socially isolated Orthodox Jewish community, and recounts his rebellion and efforts to make a new life apart from it. His combination of unrelenting humor and anger renders a rich and fascinating portrait of a man grappling with his faith and family.
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    • Publisher's Weekly

      May 28, 2007
      Auslander, a magazine writer, describes his Orthodox Jewish upbringing as “theological abuse” in this sardonic, twitchy memoir that waits for the other shoe to drop from on high. The title refers to his agitation over whether to circumcise his soon to be born son, yet another Jewish ritual stirring confusion and fear in his soul. Flitting haphazardly between expectant-father neuroses in Woodstock, N.Y., and childhood neuroses in Monsey, N.Y., Auslander labors mightily to channel Philip Roth with cutting, comically anxious spiels lamenting his claustrophobic house, off-kilter family and the temptations of all things nonkosher, from shiksas to Slim Jims. The irony of his name, Shalom (Hebrew for “peace”), isn't lost on him, a tormented soul gripped with dread, fending off an alcoholic, abusive father while imagining his heavenly one as a menacing, mocking, inescapable presence. Fond of tormenting himself with worst-case scenarios, he concludes, “That would be so God.” Like Roth's Portnoy, he commits minor acts of rebellion and awaits his punishment with youthful literal-mindedness. But this memoir is too wonky to engage the reader's sympathy or cut free Auslander's persona from the swath of stereotype—and he can't sublimate his rage into the cultural mischief that brightens Roth's oeuvre. That said, a surprisingly poignant ending awaits readers.

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  • English

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