Grave Goods

Starred review from January 5, 2009
Set in 1176, Franklin’s excellent third Mistress of the Art of Death novel (after The Serpent’s Tale
) finds Adelia Aguilar, a “qualified doctor from the School of Medicine in Salerno,” in the holy town of Glastonbury, where Henry II has sent her to inspect two sets of bones rumored to be those of Arthur and Guinevere. Henry is hoping that an unequivocally dead Arthur will discourage the rebellious Welsh. The bones have been uncovered by the few monks, under the saintly Abbot Sigward, who remain after a terrible and mysterious fire devastated the town and abbey. Adelia’s party includes her loyal Arabian attendant, Mansur, whose willingness to play the role of doctor allows Adelia to be his “translator” and practice the profession she loves; and Gyltha, Mansur’s lover and the caretaker of Adelia’s small daughter, Allie. Eloquently sketched characters, including a ragtag group of Glastonbury men down on their luck, and bits of medieval lore flavor the constantly unfolding plot.

January 15, 2009
The third volume in a successful British historical criminal-investigation series sees its heroine attempting to authenticate the bones of King Arthur and Queen Guinevere.

Glastonbury, ancient abbey and possible site of Avalon, where, myth suggests, the once and future king Arthur rests, awaiting his return, is the setting for Franklin 's latest (The Serpent 's Tale, 2008, etc.) smartly paced and neatly delivered 12th-century Adelia mystery featuring an Italian-born doctor unique in her forensic and healing abilities. Having assisted King Henry II before, she is now commissioned by him again to examine the two bodies, one male, one female, found in a coffin in a Glastonbury graveyard and to establish as far as possible that these are Arthur 's remains, in order to suppress Welsh hopes that the ancient king will come again to lead their rebellions. An occasionally ragged web of subplots involving the disappearance of Adelia 's friend Lady Wolvercote, the identity of the man who burned down Glastonbury Abbey, a savage robber named Wolf, the mad innkeeper 's wife and a son murdered by his own father tends to dominate the pages and tip the book 's balance to include more action and less detection. Adelia, a rationalist and modernist with opinions on pacifism and contraception, also sets aside some of her logic when her ex-lover, the Bishop of St. Albans, reappears and wins her heart once more. A long denouement ties up most loose ends while leaving the door open for volume four.

A well-researched, colorful, sometimes comical and often engaging mystery, although the series is beginning to show more signs of familiarity than freshness.

(COPYRIGHT (2009) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

Starred review from December 15, 2008
In 12th-century England, a fire at Glastonbury Abbeyone of England's holiest sitesuncovers an ancient box containing the skeletons of a man and a woman. King Henry II calls on his "mistress of the Art of Death," Adelia Aguilar, to identify the bones. The devastated community of Glastonbury, as well as King Henry, would like them to be Arthur and Guinevere. Adelia enlists her regular cadre of companions (Mansur, Gyltha, and daughter Allie) to help her investigate. Franklin's third entry in her medieval historical series (after "Mistress of the Art of Death" and "The Serpent's Tale") re-creates a living, breathing past populated with entertaining characters. This medieval Arthurian mystery is fascinating on many levels and very readable. Franklin, a pseudonym for British author Diana Norman, is a perfect combination of Kathy Reichs and Sharon Kay Penman. The ending leaves an opening for yet another adventure for this cast of characters. Highly recommended for all mystery collections.Susan Hayes, Chattahoochee Valley Libs., Columbus, GA

Copyright 2008 Library Journal, LLC Used with permission.

January 1, 2009
Rich period detail supersedes suspense in Franklins second historical novel to feature twelfth-century forensic investigator Adelia Aguilar. A graduate of the Salerno School of Medicine, Adelia is one of the few female doctors of her era. But her professional efforts are often thwarted by those who believe her to be a witch. King Henry II isnt one of them. When Glastonbury Abbey, one of Englands holiest sites, is burned to the ground, Henry summons the Mistress of the Art of Death to identify two skeletons found among the rubble. Could they be the bodies of the legendary King Arthur and his Lady Guinevere? King Henry hopes so. News of King Arthurs demise would help him snuff out the rebellion in Wales for good. With the help of her Arab assistant, Mansur, Adelia picks through the bones in pursuit of the truth. But her obstacles are many: wary villagers, enigmatic men of the cloth, and a monster lurking in the woods. Plenty of dark cellars and caves add a whiff of Gothic to this engaging entry.(Reprinted with permission of Booklist, copyright 2009, American Library Association.)

January 15, 2009
The third volume in a successful British historical criminal-investigation series sees its heroine attempting to authenticate the bones of King Arthur and Queen Guinevere.

Glastonbury, ancient abbey and possible site of Avalon, where, myth suggests, the once and future king Arthur rests, awaiting his return, is the setting for Franklin's latest (The Serpent's Tale, 2008, etc.) smartly paced and neatly delivered 12th-century Adelia mystery featuring an Italian-born doctor unique in her forensic and healing abilities. Having assisted King Henry II before, she is now commissioned by him again to examine the two bodies, one male, one female, found in a coffin in a Glastonbury graveyard and to establish as far as possible that these are Arthur's remains, in order to suppress Welsh hopes that the ancient king will come again to lead their rebellions. An occasionally ragged web of subplots involving the disappearance of Adelia's friend Lady Wolvercote, the identity of the man who burned down Glastonbury Abbey, a savage robber named Wolf, the mad innkeeper's wife and a son murdered by his own father tends to dominate the pages and tip the book's balance to include more action and less detection. Adelia, a rationalist and modernist with opinions on pacifism and contraception, also sets aside some of her logic when her ex-lover, the Bishop of St. Albans, reappears and wins her heart once more. A long denouement ties up most loose ends while leaving the door open for volume four.

A well-researched, colorful, sometimes comical and often engaging mystery, although the series is beginning to show more signs of familiarity than freshness.

(COPYRIGHT (2009) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)