The fourth in a series of Discworld novels starring the young witch Tiffany Aching.
As the witch of the Chalk, Tiffany Aching performs the distinctly unglamorous work of caring for the needy. But someone—or something—is inciting fear, generating dark thoughts and angry murmurs against witches. Tiffany must find the source of unrest and defeat the evil at its root. Aided by the tiny-but-tough Wee Free Men, Tiffany faces a dire challenge, for if she falls, the whole Chalk falls with her. . . .
Starred review from September 20, 2010
The final adventure in Pratchett's Tiffany Aching series brings this subset of Discworld novels to a moving and highly satisfactory conclusion. Tiffany, now nearly 16 years old, is forced to do battle with the hate-filled ghost of a long dead witchfinder, the Cunning Man, who has become obsessed with the young witch and is gradually turning her own community against her. As ever, Tiffany is ably supported by her loyal, intensely fractious, and totally amoral companions, the Nac Mac Feegles, whose leader, Rob Anybody, believes, "After all, ye ken, what would be the point of lyin' when you had nae done anything wrong?" She must deal with the heavy workload of a professional witch (birthing babies, training apprentices, and the like), fight evil, and come to terms with her former boyfriend's impending marriage. Pratchett's trademark wordplay and humor are much in evidence, but he's also interested in weightier topics, including religious prejudice and the importance of living a balanced life. Tiffany Aching fans, who have been waiting for this novel since Wintersmith (2006), should be ecstatic. Ages 12–up.
Starred review from November 1, 2010
Gr 7 Up-This is the final adventure of the young witch, Tiffany Aching, and her obnoxious, fawning, and yet lovable small blue companions, the Nac Mac Feegles. In many ways it's a coming-of-age novel, as Tiffany is now on her own. Known as "The Hag O'the Hills," she spends her time tending to the messy, menial, everyday things that no one else will take care of, such as fixing bones or easing the pain of a dying man. But as she tries to serve the people of the Chalk hills, she senses a growing distrust of her, and a loss of respect for witches in general. Along with the Nac Mac Feegles, she has to seek out the source of this growing fear. Tiffany discovers she may have been responsible for waking an evil force when she kissed the winter in Wintersmith (HarperTempest, 2006). The Cunning Man is in need of a host body and is searching for Tiffany. Pratchett combines gut-busting humor and amusing footnotes with a genuine poignancy as Tiffany tries to decide what her future should be. Fans of the author's "Discworld" (HarperCollins) books will enjoy the connections with the larger series, particularly the inclusion of Granny Weatherwax. Simply put, this fourth and final book in the series is an undisputed triumph.-Tim Wadham, St. Louis County Library, MO
Copyright 2010 School Library Journal, LLC Used with permission.
September 1, 2010
Ask Tiffany Aching, and she'll tell you: It's not easy being a witch, especially when you're only almost 16 years old.
It can't be easy being Terry Pratchett, either, an author known foremost, perhaps, for his screamingly funny Discworld novels, of which this is the latest. Beneath everything he writes, however, even as he has readers howling helplessly with laughter, is a fierce, palpable love for his fellow human beings, however flawed they may be. A love that causes Tiffany over and over to square her shoulders beneath her pointy black hat and do what's needful.
He throws a lot at Tiffany, who crashed spectacularly into her calling when she armed herself with a skillet and, at the age of nine, ventured into Faerieland (which is not nearly as nice as it sounds) to steal her brother back from its Queen (The Wee Free Men, 2003). Here he challenges her with the Cunning Man, a centuries-old disembodied hatred that seeks ignorance and uses it--"Poison goes where poison's welcome"--against witches.
Themes of memory and forgetting run throughout this tale. Books preserve all memories, even the ones better consigned to oblivion. The Cunning Man is resurrected when Letitia, Tiffany's erstwhile swain Roland's fiancée (Pratchett confronts her with this betrayal, too) summons him inadvertently when trying to work a spell against Tiffany. But one of the Cunning Man's MOs is wanton book burning, a calculated obliteration of memories.
Witches, arguably, embody the accumulated wisdom of their craft, while the Cunning Man is a collective memory of evil. He operates by playing on fear and causing the common folk to forget what their witches have done for them. Tiffany must remember everything she's gleaned from all the witches who have trained her to defeat him, and the key is a childhood memory the old Baron shares with her on his deathbed.
It's not all heavy stuff. Pratchett leavens Tiffany's passage into adulthood with generous portions of assistance from the Nac Mac Feegle, the six-inch-high blue men whose love of boozin', fightin' and stealin' is subordinate only to their devotion to Tiffany, their Hag o' the Hills. When they utterly destroy the King's Head while on an errand for Tiffany, they rebuild the pub--back-to-front, rendering it the King's...oh, crivens, never mind.
And even as he demands more and more of Tiffany--her beau engaged elsewhere, her old Baron gone, the people of the Chalk turned against her--he gives her an army of friends and someone who loves words as much as she does, someone who, like Tiffany and, one suspects, the author himself, knows that "forgiveness" sounds "like a silk handkerchief gently falling down."
A passionately wise, spectacularly hilarious and surpassingly humane outing from a master.
(COPYRIGHT (2010) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
October 1, 2010
Grades 8-12 Pratchett returns to the terra firma of his popular, sprawling Discworld series, the young-reader corner of which centers around teen witch Tiffany Aching. Being a good witch mostly means tending to the locals minor aches, pains, and kerfuffleswhich she does with as much aplomb as anyone could be expected to musterbut to become a great witch, shell have to contend with the malevolent ghost of an ancient witch-burner. Yet even that might not be as terrifying as trying to keep the peace between the humans and the wee Nac Mac Feegles (whose primary skills are drinking, brawling, having Scottish brogues, brawling a bit more, and stealing every scene theyre in) and, shudder, getting wrapped up in the wedding of her childhood friend, who is suddenly a very myopic baron. The action never picks up much more momentum than a determined amble, but readers wont care a whit because in terms of pure humor per square word, Pratchett may be the cheeriest writer around. Now that Tiffany Achings adventures are concluded, readers can explore the nearly three decades worth of other Discworld books.(Reprinted with permission of Booklist, copyright 2010, American Library Association.)
January 1, 2011
Pratchett's characteristic mix of intelligence, comic inventiveness, humor, and incisive moral seriousness suffuses this fourth Tiffany Aching adventure. Tiffany must conquer the "cunning man," a "horrible creature who can take over somebody else completely"--especially someone open to evil. The story, stuffed with concepts that challenge and oxygenate the brain, is funny, thought-provoking, and completely engaging from first to last.
(Copyright 2011 by The Horn Book, Incorporated, Boston. All rights reserved.)
November 1, 2010
Pratchett's characteristic high-quality mix of intelligence, comic inventiveness, humor, and incisive moral seriousness suffuses this fourth (and apparently final, alas) Tiffany Aching adventure, making it one of the most entertaining and literarily rich fantasies for young adults available. Tiffany, now an established witch of the Chalk, must conquer the "cunning man," a "horrible creature who can take over somebody else completely" -- especially someone open to evil. "Poison goes where poison's welcome," Tiffany realizes, as the cunning man inhabits various nasty people. This maxim about contagious human viciousness is only one of many underpinnings to Pratchett's dramatic and always amusing tale, in which even the smallest of elements displays critical (but mostly affectionate) insight into human character -- from the ebullient Nac Mac Feegles hanging off Tiffany's broomstick, their kilts flapping in the wind, to the uncomfortable remnants of an outgrown adolescent romance, such as that of Tiffany and Roland, the new Baron. Mr. William Glottal Carpetlayer; Deirdre Parsley, the nasty Duchess-mother-in-law-to-be and former music hall dancer; Preston, the erudite, solicitous, utterly awkward trainee-guard -- every character contributes not just color and comedy to the mix but ideas as well. The story is stuffed with concepts that challenge and oxygenate the brain -- elasticated string theory and the original meaning of the word buxom among them. Funny, thought-provoking, and completely engaging from first to last. deirdre f. baker
(Copyright 2010 by The Horn Book, Incorporated, Boston. All rights reserved.)
September 1, 2010
Ask Tiffany Aching, and she'll tell you: It's not easy being a witch, especially when you're only almost 16 years old.
It can't be easy being Terry Pratchett, either, an author known foremost, perhaps, for his screamingly funny Discworld novels, of which this is the latest. Beneath everything he writes, however, even as he has readers howling helplessly with laughter, is a fierce, palpable love for his fellow human beings, however flawed they may be. A love that causes Tiffany over and over to square her shoulders beneath her pointy black hat and do what's needful.
He throws a lot at Tiffany, who crashed spectacularly into her calling when she armed herself with a skillet and, at the age of nine, ventured into Faerieland (which is not nearly as nice as it sounds) to steal her brother back from its Queen (The Wee Free Men, 2003). Here he challenges her with the Cunning Man, a centuries-old disembodied hatred that seeks ignorance and uses it--"Poison goes where poison's welcome"--against witches.
Themes of memory and forgetting run throughout this tale. Books preserve all memories, even the ones better consigned to oblivion. The Cunning Man is resurrected when Letitia, Tiffany's erstwhile swain Roland's fianc�e (Pratchett confronts her with this betrayal, too) summons him inadvertently when trying to work a spell against Tiffany. But one of the Cunning Man's MOs is wanton book burning, a calculated obliteration of memories.
Witches, arguably, embody the accumulated wisdom of their craft, while the Cunning Man is a collective memory of evil. He operates by playing on fear and causing the common folk to forget what their witches have done for them. Tiffany must remember everything she's gleaned from all the witches who have trained her to defeat him, and the key is a childhood memory the old Baron shares with her on his deathbed.
It's not all heavy stuff. Pratchett leavens Tiffany's passage into adulthood with generous portions of assistance from the Nac Mac Feegle, the six-inch-high blue men whose love of boozin', fightin' and stealin' is subordinate only to their devotion to Tiffany, their Hag o' the Hills. When they utterly destroy the King's Head while on an errand for Tiffany, they rebuild the pub--back-to-front, rendering it the King's...oh, crivens, never mind.
And even as he demands more and more of Tiffany--her beau engaged elsewhere, her old Baron gone, the people of the Chalk turned against her--he gives her an army of friends and someone who loves words as much as she does, someone who, like Tiffany and, one suspects, the author himself, knows that "forgiveness" sounds "like a silk handkerchief gently falling down."
A passionately wise, spectacularly hilarious and surpassingly humane outing from a master.
(COPYRIGHT (2010) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)