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A Guest in the House of Hip-Hop

How Rap Music Taught a Kid from Kentucky What a White Ally Should Be

ebook
1 of 1 copy available
1 of 1 copy available

Born in rural Kentucky, Mickey Hess grew up listening to the militant rap of Public Enemy while living in a place where the state song still included the word "darkies." Listening to hip-hop made Hess think about what it meant to be white, while the environment in small-town Kentucky encouraged him to avoid or even mock such self-examination.

With America's history of cultural appropriation, we've come to mistrust white people who participate deeply in black culture, but backing away from black culture is too easy a solution. As a white professor with a longstanding commitment to teaching hip-hop music and culture, Hess argues that white people have a responsibility to educate themselves by listening to black voices and then teach other whites to face the ways they benefit from racial injustices.

In our fraught moment, A Guest in the House of Hip Hop offers a point of entry for readers committed to racial justice, but uncertain about white people's role in relation to black culture.

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    • Kirkus

      October 1, 2018
      As the dialogue about racial relations in the United States escalates, there still remains much, if not more, uncertainty about the roles of whites wishing to help advance social equality and justice for blacks and other minorities. This book should help.Through their actions, proponents of change sometimes sustain the very racism they seek to eradicate, while others simply play it safely and politically correctly, taking a sideline seat. In his latest book, hip-hop scholar Hess (English/Rider Univ.; The Nostalgia Echo, 2011, etc.) takes readers on a personal journey of his youth in the racially toxic backwoods of rural white Kentucky. He eventually escaped to the diversity of university life in Louisville, later joining the faculty at New Jersey's Rider University. Along the way, the author inevitably became a "white ally" to the black struggle, using his deep love of hip-hop, which helped shape his worldview, as a tool to educate largely privileged white students about the realities of black life in the U.S. In his life mission as an ally, Hess continues to question his unique position as a white professor and the responsibilities, taboos, aspirations, and limitations of spreading awareness. "My former students are working as everything from TV cameramen to stand-up comics to cops," he writes. "We need educated citizens in all those roles. Racism is so ingrained in American culture that it touches every aspect of our lives, so what should a white person do?" The author tackles a variety of significant issues: the potential dangers of watering down the struggle through the dominant culture's slow appropriation of this once purely black musical form, the myth of "reverse racism," corporate America's role as perpetuator of racial problems, and misogynistic tendencies in hip-hop music. Ultimately, Hess emphasizes the importance of education as the principal approach to evoking real change.Bouncing between personal narrative and critical analysis, the author weaves an entertaining and richly informative instruction manual for both seasoned and budding allies.

      COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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