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Everybody (Else) Is Perfect

How I Survived Hypocrisy, Beauty, Clicks, and Likes

ebook
1 of 1 copy available
1 of 1 copy available
From the former editor-in-chief of Nylon comes a provocative and intimate collection of personal and cultural essays featuring eye-opening explorations of hot button topics for modern women, including internet feminism, impossible beauty standards in social media, shifting ideals about sexuality, and much more.
Gabrielle Korn starts her professional life with all the right credentials. Prestigious college degree? Check. A loving, accepting family? Check. Instagram-worthy offices and a tight-knit group of friends? Check, check. Gabrielle's life seems to reach the crescendo of perfect when she gets named the youngest editor-in-chief in the history of one of fashion's most influential publication. Suddenly she's invited to the world's most epic parties, comped beautiful clothes and shoes from trendy designers, and asked to weigh in on everything from gay rights to lip gloss on one of the most influential digital platforms.

But behind the scenes, things are far from perfect. In fact, just a few months before landing her dream job, Gabrielle's health and wellbeing are on the line, and her promotion to editor-in-chief becomes the ultimate test of strength. In this collection of inspirational and searing essays, Gabrielle reveals exactly what it's truly like in the fashion world, trying to find love as a young lesbian in New York City, battling with anorexia, and trying not to lose herself in a mirage of women's empowerment and Instagram perfection.

Through deeply personal essays, Gabrielle recounts her struggles to reconcile her long-held insecurities about her body while coming out in the era of The L Word, where swoon-worthy lesbians are portrayed as skinny, fashion-perfect, and power-hungry. She takes us with her everywhere from New York Fashion Week to the doctor's office, revealing that the forces that try to keep women small are more pervasive than anyone wants to admit, especially in a world that's been newly branded as woke.

From #MeToo to commercialized body positivity, Korn's biting, darkly funny analysis turns feminist commentary on its head. Both an in-your-face take on impossible beauty standards and entrenched media ideals and an inspiring call for personal authenticity, this powerful collection is ideal for fans of Roxane Gay and Rebecca Solnit.
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    • Kirkus

      February 15, 2020
      Debut essays from the director of fashion and culture at Refinery29. Though Korn, the former editor-in-chief at Nylon Media, worked at women's magazines throughout her 20s, their constant use of thin, cisgender cover models often collided with her ideals of diversity, inclusivity, and body positivity. Before the concept of being "woke" gathered steam, the author promoted change, penning viral columns on subjects like body hair. "As women's media grapples with how to be more positive and inclusive while covering topics like fashion and beauty," writes the author, "I frequently find myself caught between two worlds--the world of empowerment culture and the world of perfectionism." In addition to chronicling her rapid rise to the top of Nylon Media, Korn offers intimate forays into her struggles with anorexia, coming out as a lesbian, and finding meaningful love. The narrative serves as a poignant insider's look at women's digital media as well as a tender retrospective on growing into adulthood in the early 2000s. The author is honest about her enviable position as a tastemaker, though some readers may not muster sympathy for her depictions of salary negotiations or dressing for Fashion Week. In the breezy, clever "Low-Rise," denim trends inspire reflection on the complexities of sexuality, body image, gender presentation, progressive politics, and social media. "I was coming of age in a time when everything was hypersexualized," she writes, "but I didn't understand the relationship between that and actual sex, a disconnect that's one of the main reasons I didn't realize I was gay until after high school: it was like being disembodied." Particularly incisive is Korn's essay on feminist language being co-opted for profit while one of the author's themes--that feminism and aesthetics needn't be at odds but that the beauty and fashion industry still need to change--is keenly observed, if familiar. Korn also offers darker reflections about personal and wider pressures on women. A confident, confessional modern account of breaking free from image obsession.

      COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      October 15, 2020
      Korn was named editor in chief of Nylon at 28. Not only was she unmatched in industry leadership for her age, but she was also the first openly gay woman to hold such a high title in fashion media. In this juicy memoir, Korn reveals how it all went down. Korn is cognizant of the fact that she could not have made it so far if not for the cheap New York City housing she enjoyed thanks to a relative. With a knack for social media, aesthetics, and managing others, Korn experienced meteoric rise from freelance writer to director of fashion at Refinery29 to her ultimate top title at Nylon. During this short period, Korn also battled anorexia and the shame that comes with loathing her own body while publicly proclaiming empowerment and body positivity. Her self image issues seeped into her romantic relationships, each of which inspired growth, teaching Korn much about her intimate self alongside her professional persona. A candid glimpse at the fashion media industry in the era of diversity and inclusion.Women in Focus: The 19th in 2020(Reprinted with permission of Booklist, copyright 2020, American Library Association.)

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  • English

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